Contemporary Indian English Fiction Since 2010: A Critical Spectrum

The book titled Contemporary Indian English Fiction since 2010: A Critical Spectrum may be best described as a primer in the vast discipline of fiction writing in Indian perspective since twenty ten onwards highlighting multiple and multifaceted dimensions and forms and facets of Indian ethos, manners, mores and transforming socio-cultural, religious, economic, political and mythical perspectives. It also throws light on shades of deconstructive and new-historical writings providing liberty in writing through critical perspectives. This book is primarily designed as a helpful reference text for undergraduate/postgraduate students and research scholars in Indian universities and their affiliated colleges with special reference to Indian English Fiction writing since twenty ten onwards. The scope and range of chapters covered here is not very vast but worth-praising and to the point. I hope students, research scholars, teachers, academia, literary enthusiasts, avid readers and literati would be benefited without fail. The book is a collection of chapters and research articles written by academicians and researchers. It contains the following well explored chapters and research articles:“ A General Overview of Contemporary Indian English Fiction since the Second Decade of the 21^st Century” by Dr. Rajan Lal, “The Last Queen: A Captivating Saga of a Forgotten Lioness” by Dr. Gunjan Chaturvedi, “An Explorative Approach to the Idea of the Contemporary Modern Woman as Presented in Chetan Bhagat’s One Indian Girl” by Shruti Mishra, “The Re-Writing of Myth in Amish Tripathi’s Shiva Trilogy” by Nirmala, “Representation of Manipuri Society through the Lens of Thokchom Satyapriya Singh’s Apology” by Dr. Anuradha Nongmaithem,  “A Theist vs Atheist from the Modern Indian Perspective” by R. Abilasha and AgGonxha J., “Reflections on Modernism and Blended Traits among Modern Youths in Chetan Bhagat's The Girl in Room 105” by S. Poongodi, “Amitav Ghosh’s Gun Island: An Overview of Self-inflicted Apocalypse” by Vishwendri Chaudhary, “Sivagami- A wo(man) that Altered the Trajectory of Maheshmati Kingdom” by Dr. Shachi Sood and Afshan Mirza, “The Re-writing of Myths and Folklore through the Deconstructive Lens in Amish Tripathi’s The Immortals of Meluha” by Aishwarya Prabha, “Element of Untouchability in Amish Tripathi’s The Immortals of Meluha and Mulk Raj Anand’s Untouchable: A Comparative Overview” by Kushal Kumar, “The Merging of Literary Theories: An Analysis Based on Arundhati Roy’s The Ministry of Utmost Happiness” by Dipak Kr. Mandal, “A Critical Exploration of Aravind Adiga’s Selection Day” by Jyoti Kushwaha and “Amish Tripathi’s Sita: A Multidimensional Personality by Mrs Shalini .”